From the bestselling, twice-Orange Prize-shortlisted, National Book Award-nominated author comes a tale of transformation; a richly layered masterpiece' ( Financial Times ) A brilliant novel ' Philip Roth Impossible to put down ' Independent Dazzling ' Guardian Jules Epstein has vanished from the world. He leaves no trace but a rundown flat patrolled by a solitary cockroach, and a monogrammed briefcase abandoned in the desert. To Epstein 's mystified family, the disappearance of a man whose drive and avidity have been a force to be reckoned with for sixty-eight years marks the conclusion of a gradual fading. This transformation began in the wake of Epstein 's parents ' deaths, and continued with his divorce after more than thirty-five years of marriage, his retirement from a New York legal firm, and the rapid shedding of his possessions. With the last of his wealth and a nebulous plan, he departs for the Tel Aviv Hilton. Meanwhile, a novelist leaves her husband and children behind in Brooklyn and checks into the same hotel, hoping to unlock her writer 's block. But when a man claiming to be a retired professor of literature recruits her for a project involving Kafka, she is drawn into a mystery that will take her on a metaphysical journey and change her in ways she could never have imagined. Bursting with life and humour, this is a profound, mesmerising, achingly beautiful novel of metamorphosis and self-realisation.

"It was one of history's great vanishing acts. As early as 3500 BCE, scribes in the mud-walled city-state of Sumer used a reed stylus to press tiny wedge-shaped symbols into clay. For three thousand years, the script chronicled the military conquests, scientific discoveries, and epic literature of the grand kingdoms of Mesopotamia - Assyria, Babylon, the mighty Achaemenid Empire - along with precious minutia about everyday life so long ago. But as the palaces of these once great kingdoms sank beneath the desert sands, the meaning of these characters was lost. London, 1857. Colossal sculptures of winged bulls and alabaster bas-reliefs depicting cities under siege and vassals bearing tributes to Biblical kings lined the halls of the British Museum. In the Victorian era's obsession with the triumph of human progress, the mysterious kingdoms of ancient Mesopotamia - the very cradle of civilization - had captured the public imagination. Yet Europe's best philologists struggled to decipher the strange characters. Cuneiform seemed to have thousands of symbols - with some scholars claiming each could be pronounced in up to eight, nine, even ten different ways. Others insisted they'd cracked the code and deciphered inscriptions that corresponded precisely to the Old Testament - proving the veracity of the Word of God. Was it all a hoax? A delusion? A rollicking adventure through the golden age of archaeology, The Writing on the Wall tracks the decades-long race to decipher the oldest script in the world. It's the story of a swashbuckling young archeologist, a suave British military officer, and a curmudgeonly Irish rector, all vying for glory - from the ruins of Persepolis to the opulence of Ottoman-era Baghdad - in a quest to unearth the relics of lost civilizations and unlock the secrets of humanity's past"--

Some ancient civilizations, notably the Babylonians and the Israelites, held fast to the belief that their particular god (or gods) were stronger than all other heavenly powers and gods combined, supremely able to protect their well-being and success as a nation. This belief (which resounds in the modern-day rallying cry "God is on our side") led to some foolhardy and rash decisions, particularly when it came to war. For a nation defeated or conquered by a foreign power inevitably faced the profound, perplexing question: "Why did our God, who has sworn to protect us, allow this to happen?" Jonathan A. Goldstein turns to the religious literature of these ancient peoples to discover how they reconciled their beliefs with the realities of history. In a magnificent blend of several academic disciples (literary criticism, political theory, biblical and classical history), he compares and contrasts the responses of different eras and nations–from the Israelites, Babylonians, and Egyptians to the Zoroastrians, Iranians, and Persians under Alexander the Great. Goldstein’s close readings of literature written following such devastating events as the fall of the Israelites to the Assyrians and the Babylonians demonstrate that theology, far from being a static and unchanging set of beliefs, evolves with the course of history. Revealing how each defeat helped to shape and define the religious beliefs of the conquered, Peoples of an Almighty God clearly demonstrates that no belief can remain unchanged or untouched by the beliefs of other people.

Here the late Raphael Patai (1910-1996) recreates the fascinating world of Jewish seafaring from Noah's voyage through the Diaspora of late antiquity. In a work of pioneering scholarship, Patai weaves together Biblical stories, Talmudic lore, and Midrash literature to bring alive the world of these ancient mariners. As he did in his highly acclaimed book The Jewish Alchemists, Patai explores a subject that has never before been investigated by scholars. Based on nearly sixty years of research, beginning with study he undertook for his doctoral dissertation, The Children of Noah is literally Patai's first book and his last. It is a work of unsurpassed scholarship, but it is accessible to general readers as well as scholars.An abundance of evidence demonstrates the importance of the sea in the lives of Jews throughout early recorded history. Jews built ships, sailed them, fought wars in them, battled storms in them, and lost their lives to the sea. Patai begins with the story of the deluge that is found in Genesis and profiles Noah, the father of all shipbuilders and seafarers. The sea, according to Patai's interpretation, can be seen as an image of the manifestation of God's power, and he reflects on its role in legends and tales of early times. The practical importance of the sea also led to the development of practical institutions, and Patai shows how Jewish seafaring had its own culture and how it influenced the cultures of Mediterranean life as well. Of course, Jewish sailors were subject to the same rabbinical laws as Jews who never set sail, and Patai describes how they went to extreme lengths to remain in adherence, even getting special emendations of laws to allow them to tie knots and adjust rigging on the Sabbath.The Children of Noah is a capstone to an extraordinary career. Patai was both a careful scholar and a gifted storyteller, and this work is at once a vivid history of a neglected aspect of Jewish culture and a treasure trove of sources for further study. It is a stimulating and delightful book.

The ten essays published in this volume were written over the space of a decade, but they were conceived from the start as a coherent whole, presenting Peiresc's study of discrete languages and literatures of the Near East and North Africa. For Peiresc the student of the Classical past, this described the eastern and southern space in which the Greeks and Romans lived and strove. For Peiresc the Christian, this was the world of the Bible that impacted upon the Greeks and Romans. And for Peiresc of the Mediterranean (for he was born in Aix, spent much time in Marseille, and lived outside of the region for only 6 of his 57 years), this was the territory that his friends and colleagues sailed to, lived in and, usually, came back from. The convergence of these axes in the life of one man, and a man of singular intellectual power and charm whose vast personal paper arsenal had survived, makes this such a compelling project. The essays are arranged in a roughly chronological order. They follow the course of Peiresc's own projects from his early encounter with the ancient Near East in Greek and Roman literature, through his engagement with Arabic to his deepening kowledge of rabbinic texts to the wider world of the new oriental studies of the seventeenth century which he helped create: Samaritan, Coptic and Ethiopic.

"There is a vast literature on water in the Middle East, but few studies that take on such a balanced approach as Water Wisdom. The book makes a great addition to academic libraries around the world and for scholars involved in water policy studies."---Aaron Wolf, Oregon State University "This comprehensive, informed, and balanced volume provides invaluable insights into the roots of the water management challenges in the Middle East and charts a course for resolving this pressing issue."---James D. Wolfensohn, former Quartet Special Envoy for Gaza Israel and Palestine are, by international criteria, water scarce. As the peace process continues amidst ongoing violence, water remains a political and environmental issue. Thirty leading Palestinian and Israeli activists, water scientists, politicians, and others met and worked together to develop a future vision for the sustainable shared management of water resources that is presented in Water Wisdom. This book is a model for those who believe that water conflict can be an opportunity for cooperation rather than violence.

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.