The first female Conservative rabbi in the U.S. reflects on ancient Jewish traditions as a guide to reconciliation and peacebuilding in our lives, our communities, and our world.

"In The Kingdom of Cain, crime novelist, screenwriter, and cultural critic Andrew Klavan explores how artists' imaginative engagement with the evil of murder in film and literature can point us to ways of living honestly, beautifully, and even joyfully in a dark world"--

"Following the destruction of the Jerusalem Temple in 70 CE, Jews were faced with a world in existential chaos--both they and their God were rendered homeless. So the rabbis, aspirants for leadership of the post-destruction Jewish community, appropriated inherited traditions and used them as building blocks for a new religious structure. Not unexpectedly, given the circumstances, this new rabbinic formation devoted considerable attention to matters of space and place. Rabbinic Judaism: Space and Place offers the first comprehensive study of spatiality in Rabbinic Judaism of late antiquity, exploring how the rabbis reoriented the Jewish relationship with space and place following the destruction of the Jerusalem Temple. Drawing upon the insights of theorists such as Tuan and LeFebvre, who define the crisis that "homelessness" represents and argue for the deep relationship of human societies to their places, the book examines the compositions of the rabbis and discovers both a surprisingly aggressive rabbinic spatial imagination as well as places, most notably the synagogue, where rabbinic attention to space and place is suppressed or absent. It concludes that these represent two different but simultaneous rabbinic strategies for re-placing God and Israel--strategies that at the same time allow God and Israel to find a place anywhere. This study offers new insight into the centrality of space and place to rabbinic religion after the destruction of the Temple, and as such would be a key resource to students and scholars interested in rabbinic and ancient Judaism, as well as providing a major new case study for anthropologists interested in the study of space"--

Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernisation and globalisation in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation in recent years. The authors show that, in the midst of such change, rock, pop and dance music may in their various forms be used by their practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements, the book explores such topics as Norwegian Black Metal and Neo-paganism, contemporary Jewish Music in the UK, the French hip hop scene, the musical thinking of Muslim convert Cat Stevens/Yusuf Islam and European dance music culture. It offers an ideal introduction to leading-edge thinking at the exciting interface of 'music and religion'.

For centuries, the author argues, Christian theology has preached the Cross and denied the tragic reality of the human condition. At the same time the secular world has denied the Cross and absorbed endless acts of violence and disaster. This book is not concerned with the horrors of war and reality of conflict, but with their constant pressure upon Western culture. Starting with the Biblical tradition and recalling the triumphs of the Athenian stage, the author traces the vitality of both through the development of the theatre and of European literature. This survey ends in the 20th century and draws conclusions which are critical of cheap religiosity. It proposes an acceptable synthesis of Christian existence and tragic involvement.